Liana Lehua – Back in Action

Now she’s back, in full force. And though she’s still recovering and working to get her T-cell count back into a safe range she’s been extremly active, and has even started a new blog for Californians afflicted with HIV/AIDS helping with instruction on how to obtain free and low cost county and medical healthcare services.

For more on Liana, check out this interview I did with her about a year ago, check out her new blog, and of course… follow her on Twitter.

Keep kicking butt Liana!

The above video was shot entirely with an iPhone 3GS

Is Digital Manipulation Evil?

I’ve spoken at length about my stance on digital manipulation on the This Week in Photography (TWiP) podcast. On the show we banter about the topic, but in this quick video I explain how I really feel about it.

Pixels are born to be punished… unless they weren’t.

Gravity in Ambient Flight


I recently did some remodeling to my home and wanted some art (other than photography) to put on the walls. I wanted a piece that reflected my personality, you know – kind of whacky, colorful, and oh yea, it had to have an element of photography in it.

A friend of mine recommended an artist with whom he’d become familiar in Arizona. He introduced us over Facebook, and after trading a few messages she began work on my piece. I have never met this woman, and I believe we’ve only spoken on the phone one time.

In her own words, here is her creative process:

I create paintings with a combination of watercolor, India ink and hard pastel. My process has evolved from my earlier love of an illustrative and sketched style. Now, I sometimes sketch several thumbnails in advance of a painting, and other times the paint leads the way without any advance thought.

In the case of “Gravity in Ambient Flight”, I created a series of thumbnail studies, then pieced them together for the final idea. Of course, all along the way, I am totally open to suggestion from the “creative verve”. It has been a wonderful experience creating a painting specifically for you, keeping in mind a theme open to the essence of photography.

One art meeting another. The dichotomy of observation vs. participation. There is a story in this painting, but I think it is now up to you to finish it.

One of the original sketches:

The final painting is currently at a frame shop, I’ll post a photo of it hanging in a week or so.

What story do YOU see in the finished painting? Please comment!!

You can check out more of Charmagne Coe’s work here:

Flickr
Blog
MySpace
Website

Jim Heid – Author, Photographer, Flickr-er

As far as I know, there is no bigger fan of Apple’s iLife software than Jim Heid. He’s a self-described poster child for the software and has been using it since pre iLife, when there was only iMovie. Jim is also the author of the extremely popular book entitled The Macintosh iLife. I met Jim during my time at Apple and we became good friends, mainly because we’re both pretty rabid about Apple software, though we disagree on one or two points.

Jim and his standard poodle and mascot, Sophie, divide their time between San Francisco and the rugged coast of Mendocino, California. On most Wednesday evenings, he co-hosts “Point & Click Radio,” a weekly computer radio show, which you can listen to here.

You can pick up the book from your favorite book reseller, or get it directly from the publisher. Jim is currently putting the finishing touches on the 2009 revision to the book that will cover the new features we discuss in this video. It should be available in May.

You can check out Jim’s very active Flickr stream here.

Steve Simon – Photojournalist

Steve Simon, born in Montreal Canada – and now a resident of New York City is one of the busiest photographers I know. He’s created an impressive body of work that can be viewed on his website, and looking at his work you’ll see that he is one of those photographers that always seems to be “in it”. He’s a true photojournalist, and seems to be willing to put himself in harms way to get the story.

Steve has published several books, including a favorite of mine Heroines & Heroes: Hope, HIV and Africa. I had the honor of sitting down with Steve for a few minutes last week in San Francisco to record this video.

Steve is also a regular guest with me on the This Week in Photography podcast, and it was great to have this informal off-air conversation with him.

Nicole Young – iStockphoto Contributor

Nicole Young is an excellent example of a next-generation stock photographer. She is a regular contributor to iStockphoto and has seen some impressive revenue generated from her images. 

She is refreshingly humble and open about her work, and was eager to share tips, techniques, and encouragement for other photographers considering the micro-stock arena.

Michael Adams – Son of Ansel Adams

An up-close and personal conversation with Michael Adams, son of legendary photographer Ansel Adams. 

In this brief interview, Michael and I discuss what it was like growing up as the son of one of the worlds most prolific and respected photographers. Michael’s background is very interesting on its own – having been a physician, Air Force General, and a fighter pilot, it seems the Adams’ family produces some pretty over-achieving genes!

Merkley??? – Artist, Blogger, Flickr-er

Merkley is one of the most popular photographers on Flickr, with over 17,000 contacts, and millions of photo views, he’s a real testament to how digital imaging technology has changed the way we consume photography. The last time I sat down and had a chat with Merkley he told me if it wasn’t for Photoshop and Flickr none of this (his photography) would have been possible.

In talking with Merkley, one of the things that impresses me is the his total disregard for his tools. He’s more focused on the end result than how he got there. As you’ll see in the video, having the most expensive camera doesn’t necessarily make you a great artist.

Much of Merkleys work is done with a simple point-and-shoot camera — and Photoshop of course.

Matt Kloskowski – Photographer, Educator, Author

At the recent Photoshop World Expo in Las Vegas, I had the opportunity to sit down with Matt Kloskowski from the National Association of Photoshop Professionals (NAPP).

Along with Scott Kelby, Matt produces a weekly online video containing great Adobe Photoshop and Lightroom tips and tricks. Matt is also a highly sought-after educator, and has authored several books on the topic of photography — his latest being “Layers: The Complete Guide to Photoshop’s Most Powerful Feature“.

In this interview, Matt and I sit down to chat about his photography, Lightroom, and more. Matt shares some tips on how to manage photos in Lightroom, features he’d like to see in future versions, and what his favorite new feature in Lightroom 2 is.

Introducing Adobe Photoshop Lightroom 2

Lightroom 2 UI

Adobe Systems Incorporated (Nasdaq:ADBE) today announced the immediate availability of Adobe® Photoshop® Lightroom® 2 software, the photographer’s essential toolbox for managing, adjusting and presenting large volumes of digital photographs. With new enhancements such as dual-monitor support, radical advances in non-destructive localized image correction, and streamlined search capabilities, Lightroom 2 is a compelling upgrade that simplifies photography from shoot to finish. As Adobe’s first application to support 64-bit for Mac OS X 10.5 Macintosh computers with Intel® processors and Microsoft® Windows® Vista® 64- bit operating systems, Lightroom 2 also provides improved memory performance for dealing with large scale images.

Smarter, Faster and More Accurate

The enhanced Library module in Lightroom 2 helps streamline and accelerate photographers’ workflows. With the ability to visually organize images across multiple hard drives, Lightroom 2 and its powerful Library Filter Bar makes it easy for users to quickly find the images they need. The Suggested Keywords feature helps photographers keyword their images by making intelligent suggestions based on their own previous efforts. New dual-monitor support allows users to expand their workspace, giving them flexibility to edit and organize images in a way that maximizes an additional display.

Lightroom 2In the Develop module, the new Local Adjustment Brush lets photographers fine-tune specific areas of an image to precisely adjust color, exposure and tonal range without affecting other areas of the image. The new Graduated Filter expands the toolbox in Lightroom, allowing for edits to larger areas by applying gradually diminishing or increasing adjustment effects such as exposure, clarity, and saturation, alone, or in any combination. Lightroom 2 also helps photographers print more efficiently by quickly arranging photos of multiple sizes on one or many pages with flexible and customizable templates to maximize paper and ink. Intelligent algorithms automatically determine optimal sharpening for screen or print, producing crisper images faster.

Developers can further extend the Lightroom workflow with Web, Export and Metadata Software Development Kits available at the Adobe Developer Connection, http://www.adobe.com/devnet/.

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